How Multi-Camera Hardware Helped a Construction Company

Welcome to another edition of “Customer Stories”. This is a series in which we feature in-depth testimonials and interviews with companies who use photogrammetry and bullet time applications – analysing their work to help other multi-camera setup owners. 

Today’s interview is with John Archibald, the Data Processing Engineer at Structural Technologies. He specialises in capturing images of structures and processing them into data which is used to facilitate virtual inspections for clients. 

John bought ESPER triggering and powering hardware to build a specialised photogrammetry setup design for scanning in very confined spaces. 

Photogrammetry in dirty and hard to access places…

Structural Technologies develops and integrates products, engineering support, and repair and maintenance services to provide value-added solutions throughout the construction industry. We work on various structures from skyscrapers to universities to nuclear power plants.

Our mission – making structures stronger and longer lasting.

I work in the research and development division. We specialise in the data acquisition of a structure’s concrete to perform a strategic inspection for repair work.

The better the image capture, the better the data we can extract. This makes it easier for us to get the best understanding of potential construction repair and thus puts us ahead of the competition. 

Because data acquisition is crucial we needed a photogrammetry setup that would provide the client with really high-resolution virtual inspections. These haven’t been possible in the past and this is a market differentiator for us. 

Dropping the “homemade trigger” approach

First, I needed hardware that would allow us to remotely trigger all of the cameras in the array. 

And we had two options…

Making it in-house by fabricating an electronic circuit, or buying something already available on the market. 

The price of the readymade product was comparable to a day, or a few days, of our team’s work. But there are always a bunch of risks involved that could end up consuming more man-hours by trying to pursue a solution. 

So we decided to try the solution available on the market – the TriggerBox

We were really excited to test it. Once it arrived and we tested it I immediately knew it was the right decision. There was certainly no need to spend any more time thinking about homemade solutions. 

This gave us great peace of mind.

Everything worked; the interface was super easy to use and overall it was an amazing out-of-the-box solution.

“Software interface is really well designed, intuitive. Hardware works really well to the point where my boss said “When (4 cameras) fire simultaneously it sounds like a single camera!” Saved my team time, effort, and money. Very nice product – I feel lucky to have found this company.”

JOHN ARCHIBALD – DATA PROCESSING ENGINEER | STRUCTURAL TECHNOLOGIES

We no longer had to worry about anything going wrong. We know that the units have been tested by you and there is a guarantee and support in case we need it. One less headache with these neat little boxes!

But there was a hardware communication aspect which worried me. 

Our photogrammetry setup needed to integrate with a computer during the data capture so I was concerned that I would need to learn an API or learn how to create a custom interface.

But it turned out to be as simple as learning 6 commands and putting a separate microcontroller to communicate in the serial codes to have full control of the TriggerBox. 

Your controller software was super convenient and very simple to use for me. It already had all the necessary functions built in so it only took me an hour to set everything up.

Powering photogrammetry setup without charging or changing the batteries

Powering a convenient mobile photogrammetry setup of expensive cameras was a challenge.

We work in remote places that are dirty and hard to access. Bringing cameras in for an extended period of time necessitates different ways to power them simultaneously.

When first searching for the remote triggering mechanisms that led me to the TriggerBox, I quickly realized the usefulness of the PowerBox – this is exactly what we need. 

But I was super hesitant to use anything other than the factory supplied batteries because I didn’t want to damage the cameras. I was also worried that a 9V power capability on PowerBox would not be good for a camera with a 7.4V battery.

“I needed a way to conveniently power multiple expensive cameras. I was super hesitant to use anything other than the factory supplied batteries because I didn’t want to damage the cameras. A little reassurance from the ESPER staff and initial experimentation showed me that I had no need to be hesitant because this product works flawlessly.”

JOHN ARCHIBALD – DATA PROCESSING ENGINEER | STRUCTURAL TECHNOLOGIES

Customer service has been very friendly and helpful.

A little reassurance from the ESPER staff and initial experimentation showed me that I had no need to be hesitant because this product works flawlessly. All of the cameras in the array are supplied with constant regulated power. 

Getting new clients with unique scanning offerings

There are not really many other products like it that I’ve found. 

Getting hands-on with the TriggerBox and PowerBox was one of the first steps that we took to make this photogrammetry setup a possibility and not just something that was kind of imaginary or a vague idea. 

Once we had your hardware and tested it we knew that we could actually get this system made which will open new opportunities for us. Our prototype launch was very successful and this was a big step forward for us.

It has allowed us to create something new that our company has never used before (scanning with multiple cameras in these hard to access locations), which will allow us to appeal to more clients and win work that we otherwise may not have been able to win.

Click here to learn more about ESPER TriggerBox and PowerBox.

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Multi-Camera Distributor Advances the Assembly of Photogrammetry Setups with ESPER

In our “ESPER Customer Stories” series we speak with the owners of multi-camera and photogrammetry setups to see how they improved performance with ESPER hardware. 

Today’s interview is with Anel Lazcano, Product Manager at HCG Technologies, a leading supplier of multi-camera solutions and motion capture equipment in Latin America.

His team found new clients by making their photogrammetry setups mobile and more effective, which improved the creation of digital doubles and props in CGI production pipelines. 

Let’s dive in.

Meet HCG Technologies

HCG Technologies specialises in providing innovative multi-camera technologies such as motion capture and photogrammetry for the entertainment, engineering and health sciences industries in the Latin American market.

With over six years of experience, we have supported major educational institutions such as UVM, brands including Mercedes Benz, and several movie producers. 

Our goal?

To provide the most innovative and productive multi-camera systems in the industry to clients looking for new ways to get CG production projects done more effectively, but who lack the internal departments to do so.

Setting up a photogrammetry system can be a pain at times…

Typical projects involve the creation of face, body and object 3D models using photogrammetry setups, but we are also involved in brand activations using bullet-time effect. 

So our 64 Canon Rebel T6 setup is often reconfigured depending on client requirements. 

Before getting our hands on ESPER equipment we used PC software to fire all of the cameras at the same time through USB – this wasn’t ideal.

What’s more, we had to create a mobile solution since we often travel to different universities around Mexico and within Latin America to showcase our product. Carrying so much gear to different locations can be frustrating!  

These were some of the objectives we needed to achieve:

1. Reliability – Shooting all cameras through the software wasn’t too bad, but we had a lot of delays and irregularities which we couldn’t allow to happen when distributing the system. 

2. Professional Look – There was no other company that offered a “plug-n-play” solution for triggering and powering multiple cameras. A homemade solution was an option but since we work with different clients that are very strict on how our systems look we needed something more slick and professional. 

3. Time Efficiency – I wouldn’t say that setting up a photogrammetry system is too complicated, but it can be very time-consuming since we have to connect hundreds of cables every time we install the system at a new location.

“We realized that there was no other company that offered a “plug-n-play” solution for triggering multiple cameras. We considered manufacturing our own homemade solution but since we work with different clients that are very strict on how our systems look we needed something more slick and professional. ”

ANEL LAZCANO – PRODUCT MANAGER | HCG TECHNOLOGIES

Combining multi-camera hardware for better growth

This was the first time we’ve used products like this!

At first we were a little concerned about the price. We didn’t doubt the quality of the product but the cost of importing goods to Mexico can be expensive. 

But we wanted something compact, powerful and modular at the same time. 

ESPER hardware has helped us to develop a complete photogrammetry setup that we can carry easily whilst being reassured that everything will work when showcasing it to our clients. 

The TriggerBox has eliminated all of the lags we previously experienced when shooting all cameras. 

The set up for the boxes is very user-friendly and straightforward and I love how compact they made the setup!

The PowerBox has freed up so much space in the setup by getting rid of the unnecessary power supply cables required to operate the cameras in the setup. This also makes our systems look neater and more professional.

Driving new clients with better photogrammetry setups

ESPER allowed us to deliver a ready-to-use solution.

We carry many different technologies and have been setting up photogrammetry systems for over three years now. 

Multi-camera hardware helps us simplify our methods for assembling photogrammetry setups. Our clients have also benefited from a much more effective process when creating 3D models.  

We have seen an increase in growth.

Our clients love our setups and now we have new complete systems waiting to be delivered to more universities than ever before. In fact, we’ll soon be placing an order for an additional 12 PowerBoxes and TriggerBoxes!

Click here to learn more about ESPER Multi-Camera Hardware.

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Mastering Light and Time: Bullet Time Insights From Eric Paré

In this “ESPER Customer Story”, we catch up with Eric Paré, visual artists, founder of Xangle and longtime ESPER collaborator to find out how ESPER powers and triggers have helped him create his light painting bullet time masterpieces.

bullet time camera rig

Here is his interview:

Many ESPER customers will already know you, but for those new to the world of bullet time and light painting tell us a bit about yourself

I’m a visual artist from Montréal who loves combining a passion for photography, travel and light-painting. I’m also the head of Xangle – a complete multi-camera system software.

For the past 7 years, I’ve been creating tens of thousands of images involving light-painting and/or bullet-time. Everything I create is lit by hand with minimal editing.

We’ve been featured on CNN, MTV, BBC, Vice, TEDx, Peta Pixel, CNET and worked on huge campaigns for Audi, Twitter, Adobe, HP, Intel, Facebook, Canon and Microsoft.

What is bullet time light painting?

There would be many ways to describe this, but the way I’ve been doing it forever is this: I wave a light around a subject to light it up and create shapes of light around that person.

Technically, this simply involves doing a long exposure with the cameras. Some people go with a fixed duration (typically 8 seconds), but I prefer to go in Bulb mode on the cameras to be able to decide the exact duration of the shots based on the shape that I’m doing.

To create light-painting bullet time shots I have endless DIY things that I have been experimenting with including a long acrylic rod, a Rainbow Panel, and even a purse. But these days, I’m using only my Light-Painting Tubes and LiteBlades from Patrick Rochon.

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Click here to see ESPER TriggerBox and PowerBox customer gallery.

How did you begin your journey with this technique?

After a long outdoors 360 degree tour in 2012, I had a few months off and I wanted to see what I could come up in 360 with light-painting. I had only a tiny black studio back then, but I managed to create my most complex creation ever, the LightSpin project. 

For this one, I had access to only 24 cameras, but I was combining this with stop-motion, thus triggering all cameras at the same time for hundreds of shots. That resulted in half a million images for a short dance documentary.

What advice would you give to those interested in trying out bullet time light painting?

I teach a lot of what I do on my Youtube channel, and this is a good starting point. But the truth is that practice is the key to get great results. I spent 3 months in my studio every day before I published my first light-painting picture.

There’s a lot of things to figure out when working in 360 with light-painting, but it is so rewarding when you come up with something unique. It is still the beginning and there are a lot of things to discover and play with.

What’s the process like when shooting with so many cameras at the same time?

Camera trigger is sent via Xangle Camera Server on which I can pair a wireless Bluetooth presenter. The one that I’m using fits on my finger like a ring which makes it very convenient when my hands are busy manipulating the light-painting tools. Then to make it work, I press once to start the exposure, and then again to stop it.

In my case, I really want a super fast preview.

I’m currently down to 3 seconds on a 16 cameras array which is starting to make sense when you consider that we have to download the files, digitally calibrate them and generate an MP4 out of the JPG files. But I want an instant preview! That’s going to come one day 😉

For the rest, it’s pretty straightforward: we connect the cameras, calibrate and we’re ready to roll!

You’ve been using ESPER kit for a while now, what is it about ESPER Triggers and Powers that you love?

When we released our updated “Windows” version in early 2019 (that is when we added the possibility to use more than 12 cameras without the need of Raspberry Pis), we did a light-painting event with Canon at CES 2019 and we decided to go all in with ESPER TriggerBoxes and PowerBoxes!

We did a light-painting event with Canon at CES 2019 and we decided to go all in with ESPER TriggerBoxes and PowerBoxes!

We have used 4 ESPER TriggerBox units for 24 cameras. The camera power was also managed by ESPER on this one.

There are two key elements with ESPER PowerBoxes which make them a great addition to our setup.

One is the fact that it allows us to power up 6 cameras at the same time. This is a major upgrade to our previous solution which was made of Canon power supplies (way too many cables). 

The second element is the coupler itself. ESPER is making the best non-Canon coupler we’ve ever tested. And we tested a lot! Original ones from Canon are expensive and mostly, very hard to find. ESPER has been a key element in the booming of the bullet-time industry by making and providing DC couplers.

We own probably 200 [ESPER] units at this point and we keep buying more and sending our clients your way to purchase more!

We own probably 200 units at this point and we keep buying more and sending our clients your way to purchase more!

ESPER  have been powering up our bullet-time rigs for a long time now. We travel with ESPER on massive productions around the world to power from 12 to 200 cameras and we can’t really imagine how we could survive without the PowerBox products! 

ESPER  have been powering up our bullet-time rigs for a long time now. We travel with ESPER on massive productions around the world to power from 12 to 200 cameras and we can’t really imagine how we could survive without the PowerBox products! 

How has bullet time light painting changed the way you work?

My life prior to light-painting was limited to local festivals around Montréal.

When I started to do personal bullet-time light-painting project, I got noticed super quickly by agencies and started to work on much bigger scale projects. We’ve managed to create our art at Coachella, SXSW, Xposure festival and at the CES.

This also opened the door to so many other opportunities simply based on the fact that we have a solid portfolio.

Learn more about ESPER TriggerBox and PowerBox

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Switching to ESPER Boxes Dramatically Improved Reliability for Photo Booth Company

Continuing our  “ESPER Customer Stories” series where we ask our clients to share their experiences using multi-camera setups.

Today we talk with Bill Hamway, the Owner of Mammoth – a photo booth company that creates unforgettable brand activations with photo & bullet time booths.

With the help of Bill, we uncover some very interesting findings from his journey about how using bullet time photography has opened up new opportunities.

Let’s dive right in.

Or, click here to listen to Bill’s full story.

Tells us about Mammoth?

Mammoth is an experiential marketing studio that dreams up ideas, then builds them. We blend psychology, art, and marketing to make brand activations unforgettable.

We help brands reach people through everything from festivals to private parties. We help our customers attract attention, spark conversations, create raving fans, and grow their companies.

We have also run activations for big conferences and industry-leading brands like Lululemon, Starbucks, Hulu, and WeWork have trusted us to deliver unforgettable experiences for their guests.

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Click here to see ESPER TriggerBox customer gallery.

What challenges did you have before switching to the ESPER kit?

Our company has historically done just straight photo booths for events and so bullet time was something that I was interested in and wanted to add to our business.

It took a bunch of work to try out different systems.

First, we went with a Chinese vendor, Cam Fi. They had sold multi-camera triggers and it was all based on Ethernet or Wireless transfer. So I chose them because it’s the only thing that I could find. I don’t even think ESPER had a website back then, so I needed to take action and decided to try Cam Fi.

And it was terrible. 

They didn’t have any image calibration. Their triggering systems were sporadic, it would work sometimes it wouldn’t sometimes and when you’re doing events as you needed to work a 100% of the time.

So, I returned all of the original Cam Fi units.

I then purchased another trigger box that had that could trigger all of our cameras, but there was no time delaying functions on them.

That would be okay if I was using continuous lighting for triggering all of our cameras. But since I come from a photography background, I wanted to use two photography strobes. One for a face light and one for a hair light to make our 3D photos really pop.

Quality is one of the most important things to me.

What is it about ESPER boxes that made them ideal for your needs?

I had already tried your competitor’s products and they let me down. ESPER is just the go-to in the industry and so I went for you.

Thankfully, ESPER came out with your new website. I ordered like right away, one of the first rounds of the TriggerBoxes and PowerBoxes!

I knew that I could do some time delays for triggering our strobes which got me the desired effect. All I wanted was all of the camera shutters being able to open and stay open long enough to be able to capture the light from the strobes. So that’s why I went with ESPER and I’m a super big fan of your products!

I had already tried your competitors products and they let me down. ESPER is just the go-to in the industry and so I went for you.

Also, the design of your ESPER TriggerBox is how they all stacked neatly together was crucial for the design of our bullet time photo booth. That way everything was pretty well together, compact and it was small.

bullet time photography booth by Mammoth

You have the brand and the support behind it.

Luke from sales acted as a kind of a customer service person.

He helped me out when your software wasn’t working for me and with stuff getting stuck in customs and being delayed even though we had events. 

And, how have the ESPER boxes been working out for you?

I’m grateful for you investing your time and actually building your products and making good products that are trustworthy that I can count on to do all of our events, so thanks.

We wouldn’t be doing bullet time photography without ESPER.

People see 13 cameras and they’re immediately intrigued. Then when they actually see the results of it, you get: “How the heck does that even work?”, “That’s so cool!”, “I’ve never seen this before!”.

We started doing conferences at the end of last year.

One was for the Hero Roundtable. They’re kind of they’re similar to TED Talks to where they bring a bunch of people who are advocating for big changes in our world together.

We also did a conference in Detroit called the Midwest Gathering. That was a two-day conference and everybody absolutely loved being able to get their bullet time photos taken and they were also curious about how it all worked everything.

I’m grateful for you investing your time and actually building your products and making good products that are trustworthy that I can count on to do all of our events, so thanks.

We’ve done an activation with Lululemon for the Detroit marathon which was in November. They hosted a cheer station for all of their team members and a lot of their brand ambassadors to come out. We went and set up at like 4 o’clock in the morning and it was super cold and super windy, but we made it happen and everybody loved it.

We’ve had some notable people. Perhaps, the biggest name we’ve had is Joe Gatto from the show Impractical Jokers.

That’s thanks to ESPER and you creating the hardware for us to power our equipment and we’ll do many many more events this year so I’m pretty pumped for that.

So, bullet time and your ESPER boxes are making you money!

Yeah, we’ve made money and we’ll continue to make money doing bullet time photography this year!

In fact, we made more money last year than we ever have before.

This year will make exponentially more money. Partially due to bullet time photography and partially just due to where we’re growing as a business.

Yeah, we’ve made money and we’ll continue to make money doing bullet time photography this year! In fact, we made more money last year than we ever have before.

Being able to do bullet time photography and multi-camera work gets us a unique selling point that most other businesses do not have.

Also, the quality that we get from ESPER by being able to actually use real photography strobes to produce amazing looking 3D photos.

Even a lot of our competitors who are using or building multi-camera rigs are just using continuous lighting because they don’t have advanced knowledge of photography. Or, they don’t have an ESPER that allows them to delay the strobe outputs, which gives us the best-in-class quality.

Being able to do bullet time photography and  multi-camera work gets us a unique selling point that most other photo booth businesses do not have.

That gets us into more events, bigger music festivals, bigger conferences and so that’s part of where our company is swimming up to this year.

Learn more about ESPER TriggerBox.

More interviews:

Why Xangle Camera Server Software and ESPER Equipment Make A Perfect Combination

If you’re planning a bullet time or a photogrammetry set up then you’ll need a reliable software solution to control, manage and publish the image data from your multi-camera system.

We spoke to Eric Paré, longtime ESPER collaborator, bullet time and light painting guru and creator of Xangle Camera Server software to learn more about his multi-camera software and how the latest update adds even greater compatibility with the ESPER TriggerBox.

Over to Eric.

Eric, explain what the ‘Xangle Camera Server’ does?

Xangle Camera Server is the multi-camera software we’re using to control our cameras for our bullet-time events and studio work. It allows easy connection to multi-camera systems: connect, control, calibrate, trigger, grab, preview, publish, share.

It is mostly used by photobooth companies for bullet-time but also by photogrammetry studios. Xangle Camera Server is currently the fastest option on the market to download files and to ensure easy cable management on a 200 DSLR 3D scanner system. 

It is also currently used by a considerable amount of other companies around the world including some of the top leaders: LifeIn360 (Indonesia), SpliceBoys (Australia), TimeBusters (Poland), ThinkPrint (Brazil), FreshTape Media (USA), Ecco Studios (USA).

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What was the motivation behind the Xangle multi-camera software?

The main goal of the software is bullet-time with DSLRs. But over the years, we’ve opened the door to different multi-cameras applications such as photogrammetry and even smartphone control via Android devices.

Back in 2011, we were using the only multi-camera software that was available on the market, but it was so buggy and it was crashing all the time. That was extremely stressful during live events and we ended up starting to build our own solution.

These days, I’m triggering in a seamless mode which means that in a 132 cameras set up, I trigger cameras 1 and 132 at the same time, then 2 and 131, 3 and 130, etc. All of that in RAW quality. Having my own solution allows me to move faster and experiment with so many different possibilities.

How does Xangle software work with the ESPER TriggerBox?

It’s an all-in-one software with easy setup for external replay and sharing stations but it was also designed for improving the performance and calibration when controlling multiple cameras.

There are a few ways to configure the equipment to run Xangle Camera Server, and there’s always a way to optimize for download speed or for setup simplicity.

For projects where we need to set up super quickly with as few cables as possible, we’re very likely to use only 12 cameras, 2 ESPER TriggerBoxes, 2 ESPER PowerBoxes, USB Hubs and one computer. 

When using USB-HUB architecture of Xangle Camera Server ESPER TriggerBoxes is one of the best option currently on the market.

As of version 1.9.0, Xangle Camera Server offers the ability to control one ESPER TriggerBox via USB. From the Dashboard, if an ESPER TriggerBox is detected, we’re showing it as an available trigger mode, which then allows the user to trigger through our system to the ESPER boxes. When using USB-HUB architecture of Xangle Camera Server ESPER TriggerBoxes is one of the best option currently on the market.

Can ESPER customers download a free trial?

Absolutely. To download free Xangle Camera Server trial head over to https://xanglecs.com/. To get started, all you need is some basic equipment. For a 6 cameras set up, you’ll need: 6 cameras, 1 ESPER TriggerBox, 6 trigger cables, 5 link cables, 1 USB cable and a windows computer.

Learn more about ESPER TriggerBox and PowerBox

More interviews:

How ESPER Helped a 3D Scanning Company Boost Productivity by Putting an End to Sync & Power Issues

Today’s “ESPER Customer Stories” Q&A is with Sam Jackson, Director at sample & hold – a 3D scanning company focused on the creative media sector.  

After using ESPER boxes, Sam is less stressed about the reliability of his multi-camera setup and feels an improvement in productivity. 

Photogrammetry Camera Array
60 cameras 3d scanning array by sample & hold using ESPER TriggerBox and ESPER PowerBox

Here’s Sam’s story:

Tell us about sample & hold

Chris (Cornish) and I set up Sample & Hold back in 2011. 

We both have over 10 years experience working on 3D scanning projects so our aim was to pool our skills and create a company that produces the highest quality 3D data using the latest 3D capture technology.

We’ve worked on everything from Hollywood films to AAA games and we’ve scanned everything from horses to Michael Caine.

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I understand originally you built your own camera sync and power units?

From the outset, we knew we needed dependable hardware to power and trigger our multi-camera scanning setup.

So, we ended up building our own multi-camera sync and power boxes in-house, which we used for quite a while.  This was before ESPER’s boxes were available, I must add!

What led you to use ESPER boxes?

It’s fair to say that our boxes tended to be a little ‘flaky’. 

We have a 60 camera head 3D scanning rig and an 80 camera body. As a result, we seemed to be spending as much time fixing sync and power issues as doing the scans. Which when you’re working against the clock and it’s your reputation on the line it becomes very, very stressful and a big problem.

 3d scanning rig

So, switching to ESPER boxes was about improving reliability?

Completely. We’d heard good things about the ESPER trigger and power boxes so we decided to give them a try. 

Anything that meant we’d spend more time scanning and less on fixing sync and power issues!

Did you have any reservations about switching to ESPER kit?

Initially, yes. We had genuine concerns about reliability.

From our own experience, we knew that the theory of building the boxes was fairly simple. However, implementing that theory to make a 100% reliable,  ‘non-flaky’ product is really tough!

Ultimately, we can spend more time producing quality scan data and less time fiddling with sync and power issues!

And how reliable have the ESPER boxes been?

ESPER boxes just work!

Our concerns were totally unfounded. They’ve been solid and dependable since day one and so far we’ve had no issues. 

Using ESPER power and trigger boxes we can definitely feel an improvement in productivity. Although we can’t measure it, while setting up on location, the reduction in stress levels is noticeable!

Ultimately, we can spend more time producing quality scan data and less time fiddling with sync and power issues!

Using ESPER PowerBoxes and TriggerBoxes we can definitely feel an improvement in productivity.

Learn more about the ESPER TriggerBox and PowerBox.

More interviews:

Light Painting Artist Uses Bullet Time Effect to Create New Work

Today’s “ESPER Customer Story” is from Chris Thielemann a 3D light painting artist and photo booth company owner. We discuss how he combines light painting and bullet time / 3D photography techniques to produce some exceptional imagery. 

After adding a bullet time effect to his setup, Chris is receiving more requests for booth rentals and significantly expanded his creative options when creating his work.

Christ Thielemann Photographer

Enjoy the read.

Tell us about you and your work?

I like to combine different lighting setups, or light sources and use studio flashes with ambient light and flashlight. Using the multi-camera setup, I can freeze a moment and create glasses-free 3D images by using lenticular lenses.

Bullet time light painting

To create the above GIF, I photographed each sequence with my multi-camera array. All 10 cameras were triggered at the same time using the ESPER TriggerBox. The model was lit by a studio strobe to freeze her, the rest I painted with the black fibre brush and some colour gels.

There is no post-editing. The pictures are taken straight out of the cameras – so no Photoshop, or After Effects manipulation. I just optimized colour and contrast in Lightroom.

There is no post-editing. The pictures are taken straight out of the cameras – so no Photoshop, or After Effects manipulation.

Below are some examples of how the image was lit.

light painting photography tutorial

On the left side, you see the effect of the studio strobe. I’ve used a small reflector (you could also use a speedlight) with grid for hard and focused light. With a short flash burst, to get a razor-sharp face because of the very short flash speed.

The picture in the middle is the combination of the Lightpainting and the strobe. Very well balanced. The Shadows on the models face are lighten up by the light-painting brush.

On the right side, the light only comes from the flashlight/torch. So it’s not very well balanced – the face is too dark. You could put more light onto the face with the flashlight, but with an exposure time about (180s) the photo would be blurry.

What are your using in your multi-camera array?

You can do basic bullet time photography on a budget.

I’m currently using 11 to 12 cameras in my studio and 6 cameras as a mobile solution. I started with 5 cams and added more over a period of several months.

You can do basic bullet time photography on a budget. I’m currently using 11 to 12 cameras in my studio and 6 cameras as a mobile solution.

When I started I’ve purchased a Breeze software license for DSLR Remote Pro Multi-Camera. A solid solution that you buy once and use it without any further costs.

Later, I additionally got a Xangle Camera Server license for events, because it’s faster in setting up the cameras and extremely fast in creating the videos. This software is only licensed for a period of time so it’s necessary to do events to refinance it.

light paintings examples

Have you tried any other multi-camera triggers?

Yes, I started with wireless YongNuo triggers, to fire up to 7 cameras in my first setup. But, there was a problem was the sync speed. When I needed a 100% sync, I had to use long exposure times (more than 2s) and fire my flashes manually when all shutters were open.

When using faster shutter speeds and firing the flash with one of the cameras, the hit rate (all cameras in sync) reduced extremely. Quite a pain and a process that slows down a photoshoot significantly.

For starting out on a budget and if you only do studio work for yourself it’s ok, but definitely not fun to use. It limits the possibilities – photo shoots had to be in total darkness because of the shutter speeds.

With that set-up, events were not possible.

Why is the multi-camera trigger so important to you?

So basically I had several reasons.

The first was to improve the photoshoots in the studio. It’s a pain to shoot in total darkness and fire the flash manually. The previous triggers I’ve used were very slow and you can’t do action photography with moving subjects.

The second, more important reason, are bullet time photo booth events. You need a shutter speed sync time faster than 1/40s to get sharp images of people. So the choice is to buy a trigger that can do that, or to invest more money in a software solution that does not need a trigger at all.

The previous triggers I’ve used were very slow and you can’t do action photography with moving subjects. [For bullet time] you need a shutter speed sync time faster than 1/40s to get sharp images of people.

At this time, the software solution is not an option due to the costs (more hardware, software costs, abonnement costs) and for a small rig like mine with 12 cameras, it’s not needed. As of now, I put my focus on my 3D work and 12 cameras are just fine for that.

So, the ESPER TriggerBox is the right choice for me – pay once and use it forever!

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Click here to see ESPER TriggerBox customer gallery.

So, what convinced you to buy ESPER TriggerBoxes?

For synchronization speed – TriggerBox does the job. It speeds up my photoshoots and I always get reliable results – in every shot, every camera is accurately synchronised. Unlike the tested wireless trigger solution. Thanks to ESPER TriggerBox I can use my multi-camera setup like a single camera!

TriggerBox does the job. It speeds up my photoshoots and I always get reliable results – in every shot, every camera is accurately synchronised.

Also, events are now possible – even with more options like setting a time delay. So, it’s a very big improvement compared to the wireless triggers.

But, as a small photography business owner, I was hesitant because of the cost. Normal income goes to pay all bills and feed the family. Any left money, I invest in building my rig – and that’s not much, because the costs multiply with every camera.

As of now, I have 12 cameras in my rig (plus some more backups) – so that’s quite insane ;). When you don’t have a ton of money to spend you have to think carefully about your next purchase. So, even small things like camera mounts, cables, metal pieces etc. will add up.

What results have you seen since using ESPER boxes to create bullet time effect?

I have more control and confidence in my rig.

Once the cameras are set-up, I can concentrate on my images instead of on my camera triggers. A really a big plus for me compared to wireless triggers! Before that, I had a ton of ruined shots because not all cameras were in sync. An extremely frustrating process that happened too often. Now, I can use every shot.

Besides the significantly increased productivity in creating my work, I have some requests for small bullet time photo booth events. Without the ESPER TriggerBoxes I wouldn’t be able to attend them.

I can also set the cameras to bulb exposures and shoot for many minutes – that’s needed for my light paintings (with the wireless triggers you are limited to 30s exposure if you are not holding down the button on the release).

I’m able to create artworks that I couldn’t create before. I can experiment and try out new light painting techniques and test out what I can do with 3D. It’s nice to have a bullet time/3D animation of a light painting that I could share on social media.

But on top of that, I can also print out the photo shoot results and laminate them onto a lenticular lens – a glasses-free 3D image. A whole new world waiting to be explored!

Learn more about ESPER TriggerBox

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How ESPER Helped an eCommerce Company Slash Their Scan Time and Boost Productivity

Today, as part of “ESPER Customer Stories” series we talk to Scot Warner, the Head of Technical Research at SpinMe, specialists in 360-degree photo technology for online retailers and global brands.

Scot talks about the company’s journey from single camera setups to multi-camera solutions. And how the ESPER TriggerBox made this transition possible and helped improved productivity along the way.

multi camera setup

Read on for our conversation with Scot:

Hi Scot, tell us about SpinMe?

At SpinMe, we provide leading brands with a world-class automated imaging solution. We specialise in technology for 360-degree photos for use in eCommerce and on the web in general. 

We offer a variety of different modules so that companies can find their ideal workflow solution. In terms of features, the solution unites the 360-degree view of the product image, as well as the zoom effect on the image.

Our goal is to refine and improve image capture and workflow processes, providing the greatest visibility, control and flexibility to all creative teams. Amazon, Apple, Saint Laurent, and JD Sports are just some of the brands that we help to manage growing product volumes and the demand for better digital content.

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Click here to see ESPER TriggerBox customer gallery.


You started out with single-camera set-ups but you’re now shooting multi-camera. What prompted the change? 

The primary focus in eCommerce is speed and efficiency.  We have had single camera swing arm setups for many years but there was a want to make this multi-camera setup faster.

The ESPER TriggerBoxes made our decision to move to a multi-camera setup possible, specifically the TriggerBoxes simultaneous shooting capability and programmable port delays to sync camera shutters.

I originally saw the ESPER LightCage several years back and was really drawn in by what you were doing. We were chatting to ESPER on a different tangent and then found out you were doing trigger boxes so we tried them out and never went back.

The ESPER TriggerBoxes made our decision to move to a multi-camera setup possible, specifically the TriggerBoxes simultaneous shooting capability and programmable port delays to sync camera shutters.

So, what were the problems you found then initially looking into multi-camera set-ups?

Camera syncing for sure.  In the beginning, before we discovered the TriggerBox, we did have a more basic box which could shoot with a multi-camera setup.  However, its functionality was limited to 5 cameras and it only had a basic trigger delay on the primary camera.  This made syncing a very tough job and the process of setup very challenging.

With the TriggerBox, we currently shoot at 1/40th and I still think we could improve this. I know TriggerBoxes are capable of firing higher than this!  But for our subject matter, which is generally static, and the speed of setup time, this is our happy medium.

With the TriggerBox, we currently shoot at 1/40th and I still think we could improve this. I know TriggerBoxes are capable of firing higher than this!

Also, if we didn’t have fixed bows which help get the camera alignment, at least 80% of the way there then the camera positioning can also be a pain.

Luckily, we have a live-view software and camera overlays in SpinMe which can also help us out on this front.


And now the TriggerBox is part of SpinMe’s multi-camera solution. What impact has it had on the business?

It provides us and our customers with a small compact solution to speed up our multi-camera shooting process.  We currently have several clients using the multi-camera TriggerBoxes for various purposes.

Some are using the TriggerBoxes in a 360 multi-camera spins setup which consists generally of a 4 camera setup. Yet, a couple of clients use 6 cameras and others use the TriggerBox for 3D capture of texture shots at set angles, which again use 6 cameras.

Most significantly, we have improved productivity with the multi-camera setup. With a regular swing arm, we were talking about 2 minutes for a spin, the multi-camera solution is about 35 seconds inclusive of image download & replication, spin itself is about 15-20 seconds!

Most significantly, we have improved productivity with the multi-camera setup.

All clients that have had the solution fitted have been very happy with the results!

What next for the TriggerBox and SpinMe?

There has been a lot of interest in multi-camera setups with more deals in the pipeline and we’re also looking to venture towards 3D capture, which will no doubt add to this demand.

 

Learn more about ESPER TriggerBox.

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Bullet Time Photography – The Hot Ticket in Photo Booth Industry

This “ESPER Customer Story” we’ve spoken with Stephen James, the Creative Director at SoPro Studios, a prospering photo booth company based in Canada.

By investing in bullet time photography, Stephen is seeing a significant increase in the quality of clients and revenue.

bullet time photography

Here’s what we’ve learned:

Tell us about SoPro Studios?

SoPro Studios is a Toronto-based company that specialises in professional photo booth services for special events. We work with small and big brands to improve their business with creative photography.

We use the most creative photography options around to provide our clients and their guests with unique marketing solutions that connect brands with consumers.

Our activations provide fun, engaging, experiences that encourage users to share with the world! We have run bullet time activations for YouTube Space, Hush Hush, Charles Smith Wines and many more.

Why did you decide to use bullet time photography? 

This industry is currently evolving at an alarming rate.  

Basic open-air booths were “High-Tech” for a decade and all of a sudden are obsolete.

The industry saw huge growth, which attracts smart, innovative people who are disrupting the market with new technologies.

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Click here to see ESPER TriggerBox customer gallery.

I got into this industry to create unique, almost cinematic, experiences. So as the technologies advanced I did not hesitate to jump on the opportunities and the Bullet Time Booth was my primary objective.

Long story short, if you stand still in this industry you are dead.

Currently, the Bullet-Time Booths seem to be the hot ticket, which is why I searched far and wide for a solution like ESPER’s TriggerBox.

And, what did it take to build your first bullet time booth? 

I needed hardware that would allow us to fire all cameras at the same time.

We originally soldered a homemade multi camera trigger box to control the cameras; however, this proved troublesome as the lighting was difficult to control and the system would misfire 40% of the time.  

To put it bluntly, the home-made multi camera trigger prevented us from learning and mastering the multi camera array for about a year.

The original box was not producing satisfactory results and it was not fair to our clients who were paying us for professional results.

Which is why I really wish I invested in ESPER TriggerBoxes immediately.

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It seemed to be the only high-end multi camera trigger box out there, so we took a chance with their product and were extremely impressed.

However, I was hesitant at first due to the fact that I built trigger-box for $60 at home for 13 cameras. BUT, after struggling at dozens of events and producing mediocre results that we were not satisfied with we went with ESPER equipment.

Once we switched to the ESPER TriggerBoxes, our lives got much easier and we learned improvements at an exponential rate! 

So, did you get a return on your bullet time booth investment? 

Since offering the multi camera array we have definitely a substantial increase in both clients and the quality of clients.  

Our events get bigger and bigger, with larger budgets. The array is our primary seller and has helped enhance sales on all our product offerings.

We are just about to get into our second year with it and I can confidently say it has won us clients I have been working on for years before. We are predicting quite an increase in revenue this year, with most our bookings being for the multi camera array.

Since switching to the ESPER TriggerBoxes we truly produce studio quality shots in real-time at events. The arrays are starting to become a common thing, but our guests often comment on the quality of our results!  

 

Learn more about ESPER TriggerBox

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Extreme Weather Bullet Time Helps a Photo Booth Business Attract Big Brands

For today’s ESPER Customer Stories we spoke with Rolf Mooibroek, founder of Fotodoos photobooth company.

By adding bullet time booth to their portfolio of services, Rolf has captured the attention of several event agencies and got more activations for large brands and events.

 Rolf Mooibroek founder of Fotodoos

Let’s hear his story.

Can you tell us a bit about Fotodoos and what the business is about?

Fotodoos is one of the largest photo booth rental company in the Netherlands. We rent photo booths for parties, trade shows, events, fairs and other occasions.

Clients can choose from one of our photo booths and let their guests take the most beautiful or craziest photos to make their event unforgettable!

We also build 180 & 360 bullet time booths with 12, 24 and 48 cameras for that WOW effect!

Over the years, we have served over 5,000 weddings, birthdays, staff parties and other events for brands like Heineken, Vodafone and Shell.

What’s been your experience setting up a bullet time booth? 

For a start, you need a reliable software that will synchronize all the cameras.

We use Breeze, the multi-camera software. It is very reliable and very well developed so it was a natural choice to use it in the setup. For uploading the photos and gifts we use our own software, including our own online gallery for sharing purposes, emailing, etc.

Nowadays our bullet time booths, use Canons 1200 D’s with the standard kit lens, Microsoft Surface Pro for running the software, and of course, ESPER TriggerBoxes and PowerBoxes to power and sync the cameras.

bullet time booth using 24 camera

In the early days, before going with the ESPER boxes, to fire all the cameras at the same time we used to join all the sync cables from the cameras together and then connect them to a remote trigger.

But there was a big problem.

When one connection is loose or it’s broken, you have no idea where to look and so you have to check every single connection. When troubleshooting 24 cameras and 48 connections in the array it was really frustrating and time-consuming.

That’s when we saw on the Breeze MultiCam site a referral to ESPER, along with all sorts of technical stuff stating you could use the TriggerBox for triggering multiple cameras at the same time.

So, was reliability the only reason for choosing ESPER TriggerBoxes?

There were a few reasons.

Firstly, we definitely needed something reliable that will always work. That’s why we went for ESPER TriggerBoxes because they’re ideal and you can see right away which camera is connected and which isn’t.

Secondly, because of the TriggerBoxes accurate multi-camera synchronisation. Firing all of the cameras exactly the same time, with a minimum time in between shots was crucial for creating a smooth bullet time effect.

Thirdly, the ESPER TriggerBox has the option to program the intervals between cameras. If you have everything connected on one single sync cable, you have no way of controlling when a camera fires. But, with ESPER hardware we can tweak the delay between the firing of the cameras.

Multi camera array in freezing conditions

Lastly, we also needed something that would work in all conditions.

One of those situations that really put the ESPER TriggerBox to test, was a four-day activation we launched in November last year. It was really cold at night and also had a lot of fog in the camera, but everything worked.

So that was really exciting to see the ESPER TriggerBoxes performing so well in such extreme weather as they had to stay there overnight!

And, you’ve now upgraded your multi-camera power supply to the ESPER PowerBoxes? 

That’s right.

We needed a solution that would get rid of all the power plugs that were causing a mess in the array.

Using ESPER PowerBoxes with DC Couplers we can easily and conveniently power all of the cameras and we don’t have to worry about batteries dying ever again.

They also eliminate the risk of a false power plugs, ensuring reliable and constant power supply – something a battery can’t do.

What’s the impact been on your business since you launched bullet time booths?

Well, it’s definitely generated more revenue and got the interest of several big event agencies!

They were really interested in the technique as it was a new kind of activation in the photo booth marketing industry. We started to get more and more activations for large events and brands.

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Click here to see ESPER TriggerBox customer gallery.

Since our first bullet time booth for KLM (Royal Dutch Airlines), we’ve gone on to do some really big bullet time activations for the likes of KPN (Dutch telecommunications company) and the ING Bank.

The bullet time effect and array really create amazing reactions.

When guests couldn’t see all of the cameras they were like “Okay that’s a nice thing”, but when they walked around to look at the array from the front, almost everybody was shocked!  

Matrix booth activation ING

It was really impressive to have all of these cameras pointed at you and then when they see you taking time freeze photos of them it is fun and really makes guests go “WOW”.

“Fantastic services and excellent quality. The Fotodoos was a big success. The operator was really friendly and everything was perfectly organized and executed. We would hire them again.”

– Michael, KLM

 

Learn more about ESPER TriggerBox and PowerBox.

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